By Mohani Niza Watching ‘Our Mothers’ Land’, one cannot help but feel inspired: the 55-minute documentary film, produced by Mongabay…
Poetry is dead. Long live poetry
By Lawrence Pettener Who said Malaysian poetry in English was dead? Many have tried to convince me but they should…
Masturah Alatas: “What is Malay civilisation and why call it a civilisation?”
By Masturah Alatas Over the years and not just recently, I have come across Malaysians of both scholarly and lay…
A conversation with Malaysian poet Wong Phui Nam (final part)
By Lawrence Pettener (For the first part of the interview, click here). Lawrence Pettener You give us a lot of…
Opinion: Meghan, Harry and the fragile future of global monarchies
By Nor Arlene Tan It is like watching Netflix’s The Crown – the victimised couple, the racist royal in-laws, the…
What freedom? Survivors of sex slavery face mental health and employment challenges due to past
By Tara Abhasakun in Bangkok Sophia Loibl was sold into sex slavery when she was four years old. After a…
A conversation with Malaysian poet Wong Phui Nam (part 1)
By Lawrence Pettener I was lucky enough to get a couple of interviews with national treasure, poet Wong Phui Nam…
‘The Blood Prince of Langkasuka’ by Tutu Dutta: Why I think we should read this 12th century folklore in 2021
By Sonia Singh Since the 12th century, The Blood Prince of Langkasuka – also known as ‘Kisah Raja Bersiong’ –…
With hundreds of movies uploaded on his YouTube, Toh Hun Ping turns to the cinematic glory of past Singapore and Malaysia
By Terence Toh It has not been a great time for cinephiles. Like many other industries, COVID-19 has impacted the…
Everything is material: Thai-British comedian Chris Wegoda digs deep into his roots as a ‘luk khrueng’
By Tara Abhasakun “In case you’re wondering which of my parents is Thai, my father is British, and my mother…
