By Leyasheena Panicker The moment the Zoom call connected, we were greeted by the bright and unapologetic personalities of Mawar…
Jesse Joy: the Sabahan artist who articulates politics and activism through his embroideries
Jesse Joy is an artist, from Kota Kinabalu, Sabah, Malaysia, who uses embroidery as a platform for personal and political…
“Suitcase or coffin”: My story of fleeing Algeria as a young child
By Leha Brigitte My first birthday was on the road. My parents had just escaped from Algiers with me and…
Lawrence Pettener interviews Malaysian poet Shirley Geok-lin Lim
I corresponded with Malaysian pioneer generation poet Shirley Lim in July this year. This interview was a written response to…
Viralised by haters for her gay sexuality and marriage, a young Malaysian woman embraces the spotlight to promote a powerful message of acceptance
By Mohani Niza A young Malaysian woman has publicly spoken up against the online backlash towards her lesbian sexuality and…
Dutch film director Jos Stelling: “My movies reflect the eternal struggle of opposites”
By Anastasiia Shkuro for The Culture Review Mag The maverick movie director Jos Stelling is from Holland. Ironically, he is…
‘Our Mothers’ Land’ spotlights the fight by Indonesian women against corporate greed
By Mohani Niza Watching ‘Our Mothers’ Land’, one cannot help but feel inspired: the 55-minute documentary film, produced by Mongabay…
Poetry is dead. Long live poetry
By Lawrence Pettener Who said Malaysian poetry in English was dead? Many have tried to convince me but they should…
Masturah Alatas: “What is Malay civilisation and why call it a civilisation?”
By Masturah Alatas Over the years and not just recently, I have come across Malaysians of both scholarly and lay…
A conversation with Malaysian poet Wong Phui Nam (final part)
By Lawrence Pettener (For the first part of the interview, click here). Lawrence Pettener You give us a lot of…
The Culture Review Mag 